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madeline bocaro

This is an excerpt from my Yoko Ono biography…

An all-embracing look at Yoko’s life and work in stunning detail.

Read all about it, see the reviews and


Signed hard cover books are exclusively available at:

On June 14, 2017, The National Music Publishers Association awarded Song of the Century to John Lennon’s 1971 song ‘Imagine.’

“I feel, in the big picture –
the fact that John and I met was to do this song.”

– Yoko, Above Us Only Sky documentary, 2018

During the award ceremony, Yoko was given official co-writer’s credit on the song. We heard an audio interview of John saying that ‘Imagine’ should have been credited as a Lennon/Ono song…

If it had been anyone other than my wife, I would’ve given them credit. Of course, the lyrics and concept of ‘Imagine’
was inspired by a piece in Yoko’s book Grapefruit

Cloud Piece

Imagine the clouds dripping.
Dig a hole in your garden to put them in.

1963 spring

The award was presented to Yoko with Sean by her side. Their dear friend Patti Smith was in attendance with her daughter Jesse.

Films of the recording sessions clearly show that Yoko also co- produced the Imagine album, along with John and Phil Spector.

The song ‘Imagine’ is in the key of C major. The instruments are allegedly tuned to the frequency of 528Hz – creating a softer, brighter sound believed to have healing properties. The longer wavelength of sound supposedly induces calm, healing and feelings of warmth. Whether or not this is true, there is certainly a peaceful aura about this song.

Aside from the influence of Yoko upon the lyrics, John was admittedly inspired by haiku poetry (especially the poems of Basho and Ryokan) during their visits to Japan. He felt that the simplicity of haiku allows the mind to be free from illusion, and you are left with great precision. This is evident in the simplicity and directness of his lyrics to ‘Imagine.’

“I think haiku is the most beautiful poetry I’ve ever read. I’d like to simplify my lyrics (to be) as beautiful as haiku. On the album, I’ve made the lyrics very simple and the music is very simple, and I feel as though it has a Zen spirit to it. This album is “shibui” (simple and unobtrusively beautiful).”

– John Lennon, interview disc promoting the album John Lennon / Plastic Ono Band

Japan 1970

The lyric “above us only sky” stems from a story written by a Zen monk, stating that heaven and hell exist only in the mind. This line in the song, and the lyrics asking us to imagine “no religion too” upset some church groups decades later.

John: “I wish ‘Imagine’ would come true… I’ve been listening to it myself, because I get an objective view after, and I was imagining. I began to think: I don’t want that big house we built for ourselves in England. I don’t want the bother of owning all these big houses and big cars… Everything I own will be dissolved. I’ll cash in my chips, and anything that’s left I’ll make the best use of. Yoko is a three-tatami woman, and she’s been working on me to get rid of this ‘possessions complex’, which is something that happens to people who were poor like myself—not starving but poor.”

Yoko: “One tatami is the length and width of a person lying down. A friend of mine in Tokyo says that in today’s society, with its overpopulation, the natural space that a person can acquire without fighting or making unnatural efforts is three tatami  one for himself to lie down in, a second for his companion, and a third for them both to breathe in. There is a kind of poverty where you have an excess of things, and all your energy is directed toward getting and keeping them. John was poor, and it was natural for him to strive for wealth, but I come from a background of excessiveness. It was very natural for me to live in New York in a bohemian way, because I was trying to get away from that.”

John: “It’s clogging my mind just to think about what amount of gear I have in England. All my books and possessions… I’m going to tick off the things I really want, really need. The rest goes to libraries or prisons the whole damn lot. I might keep my rock-and-roll collection, but even that I’m thinking about.”

Yoko: “If we lost everything in here, we might be annoyed, but not to the point where it would affect our health. I like the idea of everything being transient, so that all that is with me is somebody I love, and myself.”

– To Hendrik Hertzberg, The New Yorker, January 8, 1972


Sean Ono Lennon re: ‘Imagine’

“The thing that’s remarkable to me about Imagine is, it’s really hard for me to take when rock stars try to lecture me about politics or how I should think about things philosophically. I’m not against it, but it’s just really hard to take. It’s really hard to not just feel like, “Come on. Shut up.” And somehow my dad pulls it off with “Imagine,” this almost impossible feat, which is to sincerely talk about world philosophy and not sound like an arrogant person. I think there’s something about his personality. I don’t think anyone else could have pulled it off, and I think it has to do with how obviously cynical he is as a person. He clearly is coming to those ideas with a great effort to overcome his own kind of extreme cynicism and sarcasm about everything. It’s very interesting to me, because usually it’s not my favorite song.

“…I should mention that my mom did produce Imagine. She was a producer. Obviously there’s been a great reckoning for women having been discredited over the years, but I think this is a perfect, obvious one that there’s no debate about. Because people used to say, “Oh, yeah. Yoko didn’t produce Imagine, listen to her music.” But if you see the film of them making that record, my dad asked her between every take. He’s like, “What do you think, Yoko?” And she whispers, like, “This is too loud.” And I know my mom. She has an opinion about everything. People say they hate her music. And I say, “Look, that’s fine. But do you like Imagine? Because she made that record.” I think people assumed because she was avant-garde and because she was a woman that she didn’t really do it. But you know, if she had been a man, I don’t think anyone would have questioned it. So that’s a perfect example of actual provable sexism.”
– Sean Ono Lennon Reflects on 10 John Lennon Solo Classics October 9, 2020

John presented Yoko with a white Steinway “O” Grand piano on her 38th birthday affixed with a silver plaque inscribed…

“This morning
A White Piano
For Yoko
From John with Love 18.2.1971”

This story is an excerpt from my Yoko Ono biography

In Your Mind – The Infinite Universe of Yoko Ono

by Madeline Bocaro

An all-embracing look at Yoko Ono’s life, music and art – in stunning detail.

Read all about the book, see the reviews and

Order here:


Signed hard cover books are exclusively available at:


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3 thoughts on “imagine

  1. I can’t even tell you how much I love John Lennon. There’s a pair of posters hanging in my living room of the Beatles. It’s the Hey Jude cover. We have been carrying them from place to place for thirty six years. Though Julia is my favorite song for its loving sentiment,, Imagine fills my heart with desire and hope for a better world; not necessarily a perfect one but a good one.
    John played an Epiphone Casino which he sanded down to bare wood,, tTat’s a lot of lacquer.He sealed it with a single coat and It changed the whole sound of the guitar.
    I didn’t know about the higher frequency. Et doesn’t surprise me though.. I have always thought George was a better player but John was more adventurous when it came to the sound.
    Anyway, another great post. How many books have you published? Anything about Bowie? My wife didn’t exactly introduce me to him but she led me to the giddy heights of his genius. She has a birthday coming up next month and a signed copy would be positively stupendous. Let me know something, of course I will pay your price.
    You can send me your contact info to my other blog, The Terrible Idealist. There are only two followers and I can moderate it so no one else knows. Ooo, secret.

  2. I have no idea where the rest of our conversation got off to. I remember writing about Asheville and that you had become disenchanted with NYC. I still intend to visit at some time in the relatively near future, when you can breathe the air and people are a little less pissed off.
    When Cathy and I first met, we frequented a club by the name of 688,, located at 688 Spring Street, Atlanta. Clever, huh? It was a total dive, just the right atmosphere I’m sure you know. There was a fair amount of current and future talent that played on that stage. Iggy Pop wrote his set list on the wall and it was like a shrine. Of course, once the building was sold, the artless Philistines who bought it painted right over it like it was some meaningless tag. As if that wasn’t bad enough, they painted it lilac…The horror. Still, those memories of all that great music will never leave me and Iggy can be my dog any time he wants to.
    We get some pretty good acts here,, gotta say. There’s club here called the Orange Peel that has hosted a few minor acts, like Bob Dylan, the Smashing Pumpkins and the Beastie Boys. There are other clubs around where less widely known bands play; bands like the Reverend Horton Heat, Los Straitjackets (They wear matching suits and luchador masks and they do an excellent cover of Sleepwalk.). Lest anyone ever forgets, there is Southern Culture on the Skids. They have a cool psychobilly surf sound with sort of a trailer park edge. Check out “Camel Walk” on YouTube and you’ll get the idea. They’re not David Bowie (Who is?) but if you like the Stooges you might dig this. Like the Stooges, their style is sort of tight and loose at the same time.
    OK gotta go, more later.

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