From the album Unfinished Music No. 2: Life With The Lions 1969
By Madeline Bocaro
© Madeline Bocaro, 2017. No part of this site may be reproduced in whole or in part in any manner without the permission of the copyright owner.
This is an excerpt from my Yoko Ono biography…
An all-embracing look at Yoko’s life and work in stunning detail.
Read all about the book, see the reviews and order:
A very odd zen piece appears on track 3 of the follow-up to John & Yoko’s album Unfinished Music No. 1: Two Virgins…
‘Two Minutes Silence’ preceded John & Yoko’s silent ‘Nutopian International Anthem’ (1973) by four years. Both of these Lennon/Ono pieces quite possibly sample ‘4:33’ by John Cage (1952). It is not known if John and Yoko paid him royalties on the silence.
It could be an homage to the child that Yoko miscarried in November 1968 at Queen Charlotte’s Hospital, London whose heartbeat is featured on Track 2 (‘Baby’s Heartbeat’).
The child, due to be born in February 1969 was a boy, to be named John Ono Lennon II (he likely could have been born on Yoko’s birthday – February 18, as Sean later was born on Johns birthday – October 9). Due to the severe stress of publicity, and the trauma of their arrest for drug possession, Yoko suffered a miscarriage after three weeks in St. Charlottes Hospital. They recorded the album Unfinished Music No. 2: Life with the Lions while in hospital. Two tracks represented the life and death of the child. John and Yoko’s unborn child was buried in a secret location. Had he survived John Ono Lennon II would now be 51 years old.
The back cover photo is from the couple’s arrest on October 19, 1968 outside Montagu Square after their arrest for possession of hashish.
We could say that ‘Two Minutes Silence’ was replicated worldwide on December 14, 1980 when Yoko declared a ‘Ten Minutes Silence’ vigil in Central park in tribute to John six days after his death.
Perhaps the title references the Australian anti-war film Two Minutes Silence made in the year of Yoko’s birth, 1933. The lost film directed by the McDonagh sisters was set during World War I. It was Australia’s first anti-war movie.
The best mashup ever:
John Cage “Silence” & John & Yoko’s “Two Minutes Silence” – with lyrics!
Yoko & John & John Cage discuss vocalizing on Bank Street:
A strange and humorous commemorative bootleg 45 exists on a faux Apple label with ‘Two Minutes Silence’ Lennon/Omo (Disco Remix) on Side A and the same track by Lennon/Obo (Remix and Demo) ANTAR 4501 produced by The Shaved Fish (Armstrong Whitworth (Bag) – mimicking the PLAY LOUD instruction on the ‘Instant Karma!’ single.
This is an excerpt from my Yoko Ono biography
In Your Mind – The Infinite Universe of Yoko Ono
An all-embracing look at Yoko Ono’s life, music and art – in stunning detail.
Read all about the book, see the reviews and
HARD COVER books are only available at…
March 2, 1969 – John Lennon & Yoko Ono
Live at Lady Mitchell Hall, Cambridge University.
500 people attended the concert titled Natural Music, promoted by percussionist Anthony Barnett, who had invited Yoko Ono to attend. (Barnett later wrote a book about the experience called UnNatural Music).
The audience was stunned to see her ‘special guest’ and backing musician. They were even more shocked to hear a 30-minute freeform improv on vocals and guitar. John played an
Epiphone Casino guitar emitting atonal noise and feedback while Yoko warbled.
They performed ‘Song For John (Let’s Go On Flying)’ / ‘Snow is Falling All the Time’ / ‘Don’t’ Worry Kyoko (Mummy’s Only Looking for her Hand in the Snow’
A recording of this performance, entitled ’Cambridge 1969’ was release a few months later. It filled a full side of John & Yoko’s second album together, Unfinished Music No 2: Life With The Lions. (the follow-up to their infamous Unfinished Music 1: Two Virgins.)
“I was invited to Cambridge to do an avant-garde number – just before we got married. They didn’t realize we were together. John said ‘go – I’m the band but don’t tell them. He just brought a guitar and an amp and played pure feedback.”
Intellectual artsy fartsys from Cambridge were listening to just pure sound – pure feedback because what else can you do when a woman’s howling? You just go along with it.” They were totally silent. The reaction I got from the avant-garde was the same as Yoko got from the Rock n’ Roll people – both getting ‘schlack’ for not being in the right bag… You bet they noticed me, they tried not to look and be cool.”
– John @ The Hit Factory, December 6, 1980
See this .pdf regarding the performance:
50th Anniversary Dedication Ceremony:
YOKO ONO: LOOKING FOR …
2 March 2019, 11:30 – 12:30
Lady Mitchell Hall, Sidgwick Site, Cambridge CB3 9DE
Inauguration of Exhibition & Unveiling of Plaque
at Lady Mitchell Hall
Speeches by John Dunbar and Alan Bookbinder
Refreshments will be served, all welcome.
Showcasing Yoko Ono’s work in the city of Cambridge for the first time ever, the multi-site exhibition YOKO ONO: LOOKING FOR… celebrates the 50th Anniversary of Ono’s first visit to Cambridge and her debut public concert with John Lennon at Cambridge University’s Lady Mitchell Hall on 2 March 1969. The exhibition inaugurates with the unveiling of a historic plaque in the foyer of the Lady Mitchell Hall on 2 March 2019, which will commemorate the event and preserve a hidden gem of Cambridge’s social history. Also in the foyer will be the live recording of the concert ‘Cambridge 1969’ for visitors to listen to until the end of the year.
The work becomes a reality only when others realize the work.
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