You Are Here (To Yoko From John Lennon, With Love)

You Are Here

John Lennon @ Robert Fraser Gallery

July 1 through August 3, 196

By Madeline Bocaro 

© Madeline Bocaro, 2019. No part of this site may be reproduced or reblogged in whole or in part in any manner without the permission of the copyright owner.

This is an excerpt from my Yoko Ono biography…

An all-embracing look at Yoko’s life and work in stunning detail.

See the reviews and

Order here:

Signed hard cover books are exclusively available at: 


Screen Shot 2020-05-01 at 10.26.37 AM

John Lennon’s first art exhibition, You Are Here (To Yoko From John Lennon, With Love) opened at the Robert Fraser Gallery at 69 Duke Street, London on July 1, 1968. John had just moved out of Kenwood, the home he had shared with his wife Cynthia. John and Yoko collaborated on their first public event together. They had only been together for just over a month at the time and had already made Unfinished Music No. 1 Two Virgins (the album and the film),  Film No. 5: Smile and had staged their Acorn Peace event at Coventry Cathedral. They certainly hit the ground running!

Gallery owner Robert Fraser was a socialite with an extraordinary personality. He was a great influencer in  the counter-culture of 1960s swinging London. A great friend of pop stars and artists, he presented the best avant-garde art at his gallery. As Paul McCartney’s art dealer, it was Fraser who recommended Peter Blake to The Beatles to design the assemblage of pop culture figures on the Sgt. Pepper’s Lonely Heart’s Club Band album cover. Next, he recommended another British artist –  the progenitor of Pop Art, Richard Hamilton – to design the next Beatles album cover.

“ …I can’t follow Peter Blake. I can’t fill the cover with anything as exciting as he did. So I’ll back out. I’ll just make it white. And this idea was accepted, I think partly because Yoko Ono would have seen the point. I think she may have been influential. I’m not sure that they quite understood. All I wanted to put on it was a number, to make it an edition of five million, and they should be numbered from one to five million. That seemed to me to be a Fluxus idea. I would have liked to have signed them all if it were possible in a way, to make it a real art object.”

– Richard Hamilton 1999, Groovy Bob – The Life & Times of Robert Fraser, Harriet Vyner


Fraser is also responsible for The Beatles’ Apple Records logo when the label was launched in summer 1968. The logo was first used on the single ‘Hey Jude’/’Revolution’.

 “I had this friend called Robert Fraser, who was a gallery owner in London…We were discovering Magritte in the sixties… we just loved his sense of humour. And when we heard that he was a very ordinary bloke who used to paint from nine to one o’clock, and with his bowler hat, it became even more intriguing. One day Robert brought this painting to my house.”

 – Paul McCartney to Belgian journalist Johan Ral, 1993


The name of the painting is actually ‘Le jeu de mourre’ (The Game of Mora). In René Magritte – Catalogue Raisonné (1993) it is listed as number 1051 and situated late in the artist’s life, in 1966. Paul still owns the original painting.

“We were out in the garden and Robert didn’t want to interrupt, so when we went back in the big door from the garden to the living room, there on the table he’d just propped up this little Magritte. It was of a green apple. That became the basis of the Apple logo. Across the painting Magritte had written in that beautiful handwriting of his ‘Au Revoir’. …And this big green apple, which I still have now, became the inspiration for the logo. And then we decided to cut it in half for the B-side!””  

Paul McCartney, 1999

Groovy Bob: The Life and Times of Robert Fraser, Harriet Vyner

At the exhibition’s opening, John released 365 white helium balloons into the sky (the same figurative number of bottoms had appeared in Yoko’s Film No. 4). As John cut the ropes to release the balloons he said, “I declare these balloons high.” John’s concept – derived from a boyhood memory of finding a similar object as a boy – was the reverse of a message in a bottle. Attached to each balloon was a blank tag – with only the name of the exhibition on it – meant for the recipients of the balloons (wherever they landed) to write a message on and return to the gallery’s address printed on each tag.  Responders received a letter and badge from John in return which read, “Dear Friend, Thank you very much for writing and sending me my balloon back. I’m sending you a badge just to remind you that you are here. Love, John Lennon.” Although most responses were from well-wishers, others were insulting jabs at John and Yoko’s relationship.

A large round white canvas inscribed by John in tiny letters stated, “You Are Here.” We can guess that he got this idea from Yoko’s ‘Yes’ painting which sparked his interest at their first meeting at Indica gallery in November 1966 (with the word ‘Yes’ written in tiny letters placed on the ceiling above a ladder with a magnifying glass). Indica’s owner John Dunbar was present amidst the media frenzy at the Fraser gallery exhibition, as was underground filmmaker Kenneth Anger who popped some of the balloons with sparklers.

Other items in the exhibition were charity collection boxes raising money for the downtrodden. Hornsey Art College students send John a rusty bicycle with the note, “This exhibit was inadvertently left out.” John put it on exhibit.

“I think you could certainly say that the Robert Fraser Gallery was the driving force of the European avant-garde scene in the art world.”

– Yoko, Groovy Bob, The Life & Times of Robert Fraser, by Harriet Vyner

As with Yoko’s conceptual Museum of Modern (F)Art exhibit in 1971, hidden cameras filmed the reaction of attendees, but the intended You Are Here film was never made. The media was more interested in the John and Yoko spectacle and dismissed the art as fodder.

© Madeline Bocaro 2019. No part of these written materials may be copied, photocopied, reproduced, translated, re-blogged or reduced to any electronic medium or machine-readable form, in whole or in part, without prior written consent of Madeline Bocaro. Any other reproduction in any form without permission is prohibited. All of the text written by Madeline Bocaro on this site is protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without prior written permission of Madeline Bocaro. is a non-profit blog created for educational and research purposes.

Any content that may violate copyright or free usage laws will be removed immediately upon request.


This is an excerpt from my Yoko Ono biography

In Your Mind – The Infinite Universe of Yoko Ono

An all-embracing look at Yoko Ono’s life, music and art – in stunning detail.

Order here:








Watch this cool video clip about gallery owner Robert Fraser. I just read the book about him, Groovy Bob!

The sex & drugs & rock ‘n roll life (and death) of London art dealer Robert Fraser who championed Andy Warhol’s work in the U.K. in the 1960s and was the subject, along with Mick Jagger, of Richard Hamilton’s painting Swingeing London. Warhol screened The Chelsea Girls at Fraser’s London flat in 1967. With Jim Dine, Kenneth Anger, Anita Pallenberg, Mick Jagger and Keith Richards of the Rolling Stones and Marianne Faithfull. Clips from Art and the 60s – Groovy Galleries.


Marianne Faithfull at the exhibition

7 thoughts on “You Are Here (To Yoko From John Lennon, With Love)

  1. In the same – but not exactly the same – way Warhol declared Art as “anything you could get away with,” Yoko had already come up with this Concept years before. But to her credit, this Art she took very seriously and every bit of her pieces had a deep meaning that she put all her Faith and Belief in. Andy took a more of a playful stab with his approach as if only doing so to stick it to the abstract expressionslists who stuck it him for coming from a illustrator for newsstand magazines. Andy cared, of course, and capitol did have a lot to do with it, but with Yoko it was and is always about the Art. As for Yoko’s ideas for patrons’ reactions to her work, I think it was Ingenious! It’s sad to know that this idea was disgarded. What could be more exciting than to watch these onlookers’ grimaces and gesticulations!? As for the blank tags from You Are Here, is there any documentation of any responses?! Now that is Art as well. Not Art by default or anything one could get away with. Great piece. The world was really their balloon.

    1. Yes John – there is a photo beneath my story showing a pile of the tags that were returned to John! The film footage does exist, as John mentioned having viewed it.
      And yes, Andy & Yoko had a lot in common.

      1. I wasn’t sure if the tags were actually fulfilled replies or simply those that patrons may have written on and popped on the spot at the Robert Fraser . Thanks for clearing it up.

Leave a Reply