MOTT THE HOOPLE
Featuring the Brain caper Kids
November 1971 (UK/Canada – Island Records)
January 1972 (USA-Atlantic Records)
By Madeline Bocaro
© Madeline Bocaro, 2018. No part of this site may be reproduced in whole or in part in any manner without permission of the copyright owner.
Mott The Hoople’s fourth studio album for Island Records had three abandoned titles; AC/DC, Brain Damage and Bizarre Capers. A combination of the latter two was chosen.
Producer Guy Stevens dedicated the album to his hero, James Dean.
The artwork on the American version of the album cover features a black mask, with the typography (reading the band name and album title) rearranged to accommodate the mask graphic. The mask does not appear on the original UK and Canadian releases. This was because Guy Stevens and engineer Andy Johns ran around the studio in Zorro masks and capes like bandits, creating the frenzy amidst which the album was recorded. An actual mask was included with the UK version (but not in Canada).
I once heard from a guy who said that he wore the mask while listening to the entire album for the first time! A Japanese mini-cd replicating the album art also includes a tiny mask, and the original UK inner sleeve pictured fighter planes. These images are also pictured on the ad for the album, including the lace-up boot and whip imagery from the cover of the infamous book, The Velvet Underground by Michael Leigh, published in 1963 which inspired another great band’s name.
I had been trying to locate the album about six months after its release. I saw the distinctive red, black and white cover fly across the store when someone tossed it out of a cut-out bin! At last I had found my holy grail, and for only $1.99!
Brain Capers was a superb album with some wild Mott originals and the epic ballad, “The Journey”. The album also featured two cover songs, Dion’s “Your Own Backyard” and Jesse Colin Young’s “Darkness, Darkness”). However, it failed to chart. Mott’s next album All the Young Dudes was to be a smash, with the assistance and production of David Bowie and Mick Ronson.
The Rolling Stones had notoriously stolen Mott’s 2nd album title Sticky Fingers. The cover was already complete – Frankenstein’s monster driving a dragster. The Stones were in the studio next door mixing their new album. Jagger promptly stole Mott’s title. Mott revised their second album’s title to Mad Shadows, which was originally going to be Steve Winwood’s solo album title. Winwood’s album became Traffic’s comeback LP John Barleycorn Must Die released in July 1970.
It is said that Traffic are referring to label mates Mott The Hoople in their album’s title song “The Low Spark of High Heeled Boys” released in November 1971 – the same month as Brain Capers. (A dreadfully out-of-tune Mott opened for Traffic in the USA). However, a quote from Traffic’s Jim Capaldi denies this, saying that the title refers to an inscription in a book by actor Michal J. Pollard while in Morocco.
Pollard and I would sit around writing lyrics all day, talking about Bob Dylan and the Band, thinking up ridiculous plots for the movie. Before I left Morocco, Pollard wrote in my book ‘The Low Spark of High Heeled Boys.’ For me, it summed him up. He had this tremendous rebel attitude. He walked around in his cowboy boot and leather jacket. At the time he was a heavy little dude. It seemed to sum up all the people of that generation who were just rebels. The ‘Low Spark,’ for me, was the spirit, high-spirited. You know, standing on a street corner. The low rider. The ‘Low Spark’ meaning that strong undercurrent at the street level.
The lyrics conjure a picture of rock n’ roll rebels Mott The Hoople!
If you see something that looks like a star
And it’s shooting up out of the ground
And your head is spinning from a loud guitar
And you just can’t escape from the sound
Don’t worry too much, it’ll happen to you
We were children once, playing with toys
And the thing that you’re hearing is only the sound of
The low spark of high-heeled boys
© Madeline Bocaro 2018. No part of the materials available through madelinex.com may be copied, photocopied, reproduced, translated or reduced to any electronic medium or machine-readable form, in whole or in part, without the prior written consent of Madeline Bocaro. Any other reproduction in any form without the permission of Madeline Bocaro is prohibited. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without prior written permission of Madeline Bocaro.
Also see my story: ‘All the Young Dudes’ – The Single
Read all my Mott the Hoople stories here:
Mott the Hoople
Ian Hunter – guitar, keyboards, vocals
Mick Ralphs – lead guitar, vocals
Pete Overend Watts – bass, vocals
Verden Allen, keyboards, vocals
Dale Buffin Griffin – drums, vocals
Jim Price – trumpet on “Second Love’
Guy Stevens – piano, production
“Death May Be Your Santa Claus” Hunter/Allen
“Your Own Backyard” Dion DiMucci/Tony Fasce
“Darknes, Darkness” Jesse Colin Young
“The Journey” (Hunter)
“Sweet Angeline” Hunter
“Second Love” Allen
“The Moon Upstairs” Hunter/Ralphs
“The Wheel of the Quivering Meat Conception” Hunter/Guy Stevens