DAVID BOWIE & JOHN LENNON – Getting Funky with ‘Fame’
By Madeline Bocaro
David Bowie’s first attempt at becoming a ‘Blackstar’ was his R&B phase, which rapidly overcame him in the midst of his doom-laden Diamond Dogs tour in 1974. In a sudden revelation, Bowie realized that he might actually be a black man in a white man’s body! David immediately dismantled his extremely expensive Hunger City tour set with its blood-dripping buildings and transformed into a Gouster*, donning a Puerto Rican style suit. He later took up residence in a Philadelphia’s Sigma Sound studios (‘home of Philly Soul’) to record his Young Americans album with a young Luther Vandross amongst the backing vocalists. The single ‘Fame’ was co-written by his favorite Beatle, John Lennon.
As always, Bowie’s finger was on the pulse of what would become
the major future influences of popular music…
‘Fame’, David’s first American No. 1 single was composed by Bowie, John Lennon and Carlos Alomar based on a guitar riff from the song ‘Footstompin’ by doo wop group The Flares (1961). Bowie performed a cover of ‘Footstompin’ along with ‘Young Americans’ and ‘1984’ on the Dick Cavett show (December 4, 1974).
Alomar told Mojo magazine: “Lennon played acoustic guitar and we reversed it and that’s the suction sound you hear at the beginning… we put up big reverb upon David’s riff…”
Both Bowie and Lennon were fans of 1950s do wop, and of the emerging disco music scene. David’s extremely high to extremely low-pitched descending varispeed vocal line (spanning four octaves), ‘Fame, fame fame…’ derives from the then recent (1974) American disco hit ‘Shame Shame Shame’ by Shirley & Co.
‘Shame Shame Shame’ singer, Shirley Robinson whose career goes back to 1952, was half of the duo Mickey & Sylvia whose hit ‘Love is Strange’ topped the charts in 1957. In 1972 Robinson wrote the song ‘Pillow Talk’ for (Reverend) Al Green, who rejected the song, citing his religious beliefs. Robinson had a No. 1 R&B hit with the song herself, under the name Sylvia. Her whispering, moaning, orgasmic vocals became the precursor to Donna Summer’s ‘Love to Love You Baby’ (produced by Georgio Moroder), which spawned the electronic Eurodisco scene.
(Another of Bowie’s favorite bands, Kraftwerk became part of that with their album’s title song, Trans Europe Express. Their beats and melodies – ‘Numbers’ / ‘Trans Europe Express’ – were first sampled on Afrika Baambaata’s proto Hip hop ‘Planet Rock’ in 1982.)
Shirley later founded the record label Sugar Hill which released the first ever Hip hop song in 1979, ‘Rapper’s Delight’ by The Sugar Hill Gang. This launched scratching, rap and breakdancing into the mainstream.
‘Fame’ was recorded at Electric Lady studios in New York city in January, 1975 – released July 25 on RCA records and produced by Harry Maslin. Bowie’s appreciation for his growing fame was at an all-time low, as he began a serious drug addiction that would last through the next few years.
Not long after presenting Aretha Franklin with a Grammy award, Bowie appeared on Soul Train. After an awkward interview with host Don Cornelius on the mostly African-American dance show, David mimed to ‘Fame’ and ‘Golden Years’ from his forthcoming album, Station to Station, written about better days with his wife Angie. ‘Golden Years’ was originally offered to Elvis Presley. On November 4, 1975, Bowie was the whitest man ever on Soul Train, which debuted in 1971. Only Elton John had beaten him to the spot. In a beautiful blue suit, with hair colored a million shades of orange, David was most likely the only mega-user of hairspray on the show as well.
“I’m very drunk in this” David Bowie told Russell Harty in 1975 referring to his Soul Train TV appearance. “I was very nervous, so I had a couple of drinks, which I never do and I really shouldn’t have. It’s lovely. It’s very funny.”
A few weeks later, Bowie performed ‘Fame’ live on the Cher show (November 25) to a really cool mix of the backing track.
In 1976, the Godfather of Soul was influenced by the Thin Black Duke; James Brown released a a note-for-note replication of ‘Fame’ called ‘Hot (I Need to Be Loved, Loved, Loved).’
Bowie also recorded a beautifully crooned version of Lennon’s (Beatles) song ‘Across the Universe’ for his Young Americans album.
After the ‘Fame ’90’ mixes EP in 1990, the song has since been sampled by the likes of Jay-Z, Public Enemy, Dr. Dre and Lady Gaga
* ‘Gouster’ refers to a dress code worn by African-American teens in the 1960s in Chicago, but its meaning for Bowie was an attitude of pride and hipness.